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Posted on 01/19/2020 06:05 AM (CNA Daily News)
New York City, N.Y., Jan 18, 2020 / 09:05 pm (CNA).- Cardinal Timothy Dolan is conducting an investigation into Brooklyn Bishop Nicholas DiMarzio, following an allegation of sexual abuse.
The investigation is being conducted under the provisions of Vos estis lux mundi, the Church law issued by Pope Francis last year on dealing with accusations against bishops.
In a statement released Jan. 18, Joseph Zwilling, director of communications in the Archdiocese of New York, confirmed the investigation.
“As directed by Vos estis, Cardinal Dolan earlier notified the Holy See of the allegation that was raised concerning Bishop DiMarzio from his time as a priest in the Archdiocese of Newark. On January 7, 2020, the Cardinal received instruction from the Congregation for the Doctrine of the Faith that he is to begin an investigation.”
On Nov. 13, 2019, DiMarzio publicly announced that he was the subject of an allegation of sexually abusing a minor, dating back to his time as a priest in the 1970s in Jersey City.
According to the Associated Press, 56-year-old Mark Matzek says DiMarzio and another priest, who is now deceased, repeatedly abused him when he was an altar server at St. Nicholas Catholic Church in the Archdiocese of Newark. DiMarzio was a priest there at the time.
Boston attorney Mitchell Garabedian sent a letter to the Archdiocese of Newark in November, notifying them that he was preparing a lawsuit on behalf of Matzek. The suit is reportedly seeking $20 million.
DiMarzio has strongly denied the allegations, calling sexual abuse a “despicable crime” and highlighting his own work to eradicate it from his own Diocese of Brooklyn. In November, the bishop said that he would vigorously defend himself.
“In my nearly 50-year ministry as a priest, I have never engaged in unlawful or inappropriate behavior and I categorically deny this allegation,” DiMarzio said.
The allegation was made shortly after DiMarzio himself concluded his own investigation into another bishop on behalf of the Vatican.
On instructions of the Congregation for Bishops, in October and November last year, DiMarzio conducted an apostolic visitation of the Diocese of Buffalo, which faced months of scandal surrounding Bishop Richard Malone, who was accused of mishandling sex abuse claims against a priest in his diocese.
Although that visitation was not conducted under the rules of Vos estis, Malone’s resignation was accepted by Pope Francis in December last year.
DiMarzio is the second U.S. bishop to be investigated under the norms of Vos estis since its promulgation by Pope Francis in May 2019.
In September 2019, the Vatican ordered St. Paul-Minneapolis Archbishop Bernard Hebda to conduct an investigation using the new laws into Crookston Bishop Michael Hoeppner, who is alleged to have knowingly kept an abusive priest in ministry, and pressured an alleged abuse victim to withdraw an allegation against a priest. Hebda sent his report to Rome in early November.
A spokesman for Cardinal Dolan said that the cardinal will be using experts to assist him in his task, but did not give a timeline for the enquiry into DiMarzio.
“As is our practice, the cardinal will rely on outside professional forensic investigators to assist him in this matter,” he said.
“The archdiocese will have no further comment on the matter while the investigation is undertaken.”
Posted on 01/19/2020 01:35 AM (CNA Daily News)
Vatican City, Jan 18, 2020 / 04:35 pm (CNA).- Young adults from the Archdiocese of St. Paul and Minneapolis are accompanying their bishops on their ad limina visit to Rome this week, joining them at “the threshold of the apostles.”
The 25 young Catholics are in Rome Jan. 10-18, visiting the city as Archbishop Bernard Hebda and Auxiliary Bishop Andrew Cozzens make their “ad limina apostolorum” visit to the pope and Vatican with the other bishops of Minnesota, North Dakota, and South Dakota.
“It’s really been incredible, it’s been fun to pray for [the bishops] as they meet with the Holy Father, to hear about their experiences,” Maddie Schulte, 23, told CNA.
On Jan. 15, the young adults - ranging in age from 21 to 34 - had their own opportunity to greet Pope Francis after his weekly general audience.
Enzo Randazzo, who organized the pilgrimage, works in the archdiocese’s evangelization office. He said St. Paul and Minneapolis have been blessed with a vibrant young adult community and seen a lot of fruit come from that ministry.
“We are here representing the people [Archbishop Hebda] shepherds back home,” Randazzo, 30, said.
During an ad limina, which typically takes place every five years, diocesan bishops prepare a report on the state of their diocese, which is presented to Pope Francis and to various offices inside the Vatican.
The bishops also celebrate Mass at the tombs of the apostles St. Peter and St. Paul, and at the other two major papal basilicas. The young people have been present at each of these Masses.
“We really appreciate the fact that they are accompanying the bishops,” Archbishop Hebda told CNA. “They’ve really dedicated themselves to praying for Pope Francis and praying for us in the course of this ad limina. Just to have them at these ad limina liturgies is beautiful.”
“They’re young people with such hope, such joy, it’s a real pleasure to be with them,” he said.
Hebda and Cozzens have also joined the pilgrim group for dinners and on a daytrip to Assisi.
Twenty-two-year-old Mitchell Kohler said the bishops have taken the time to sit with them and listen to what they have to say.
“They’ve been very present throughout the pilgrimage. While they’ve had their own work to do, they’ve been having dinner with us, spending time with us, making sure to connect with us and show that as young adults from the archdiocese we are very valued,” he noted.
Schulte said the “succession of Peter” has come to life for her during this trip.
Fr. Tim Wratkowski, a newly ordained priest of the archdiocese and former student at the Pontifical North American College, has been present as chaplain.
Also taking part is Will Herrmann, 30, a convert who joined the Catholic Church at the Easter Vigil in 2019.
He said that as a young adult, he sometimes feels lonely in his faith, so he has appreciated the bishops’ efforts to be present during the pilgrimage, as well as the chance to build community with other young adults passionate about their faith.
“This community aspect has been wonderful,” he said. “I hope that I can really serve [the bishops] when we get back to the archdiocese, whether that’s directly through anything they ask of me or indirectly through my parish and the work I do locally there.”
From a Lutheran background originally, Herrmann said coming to Rome and encountering the saints has felt “like meeting the family, meeting all the relatives.”
“Some I’ve heard of; some I’ve never met… Just really feeling like I belong the more I’m here.”
Posted on 01/18/2020 15:01 PM (CNA Daily News)
Miami, Fla., Jan 18, 2020 / 06:01 am (CNA).- The Archbishop of Miami has emphasized the importance of welcoming refugees, and decried the decision of Texas Governor Greg Abbott not to participate in the federal refugee resettlement program.
“Often mentored by church volunteers and given resettlement support, refugees and their family quickly integrate into American society, finding work and making a positive contribution to their adopted country,” said Archbishop Thomas Wenski in a Jan. 16 letter to the editor of the Miami Herald.
“Resettlement agencies are preparing to submit proposals to the Office of Refugee Resettlement on Jan. 21 to continue this ministry of ‘welcoming the stranger.’ Catholic Charities look forward to local governments continuing welcoming refugees in those communities where we already serve.”
The archbishop noted that Catholic Charities in Florida sponsored unaccompanied Cuban minors in the 1960s, resettled refugees from Vietnam, Laos, and Cambodia in the 1970s, and has participated in the US Refugee Program since it began in 1980.
He stressed the security of the vetting policies already conducted by the United States' government. He said refugees have to meet established criteria such as fleeing religious persecution or political violence.
“Refugees are thoroughly vetted by agencies including the National Counterterrorism Center, FBI, and the Departments of Homeland Security, Defense, and State,” he said.
A September 2019 executive order by President Trump requires written consent from states and local entities before they resettle refugees within their boundaries.
Archbishop Wenski expressed disappointment in Abbott for discontinuing Texas' participation in the refugee resettlement program.
“Forty two governors have gone on record supporting refugee services - 19 are Republican. Only the governor of Texas decided to discontinue resettlement - apparently without much public support.”
“Florida, and refugees, would lose if we were to follow Texas’ example,” he added.
Last week, the 16 bishops in Texas described Abbott’s move as “deeply discouraging and disheartening.” They asked the governor to reconsider his decision, noting that refugees contribute a great deal to society.
“While the Texas Catholic Conference of Bishops respects the governor, this decision is simply misguided. It denies people who are fleeing persecution, including religious persecution, from being able to bring their gifts and talents to our state and contribute to the general common good of all Texans,” the bishops said in a Jan. 10 statement.
“As Catholics, an essential aspect of our faith is to welcome the stranger and care for the alien. We use this occasion to commit ourselves even more ardently to work with all people of good will, including our federal, state and local governments, to help refugees integrate and become productive members of our communities.”
Posted on 01/18/2020 13:00 PM (CNA Daily News)
South Bend, Ind., Jan 18, 2020 / 04:00 am (CNA).- Raffaella Stroik loved beauty.
A devout Catholic and a talented professional ballerina, Raffaella felt she experienced the beatific vision when she was performing for others. She hoped her art could be transformative in their lives.
But Raffaella’s short life ended in tragedy. On Nov. 14, 2018, her body was found in a lake some 140 miles from St. Louis, where she was a member of the city’s ballet. She was 23 years old.
Authorities ruled that there seemed to have been neither foul play nor self-harm.
"...the only thing that seems to have happened, could have happened, is some kind of an accident," Duncan Stroik, Raffaella’s father, told WNDU News in South Bend, Indiana in November. "We don't know what could have happened."
In order to honor and continue their daughter’s legacy, Duncan and his family have decided to create a traditional ballet in honor of Rafaella, loosely based on her life and incorporating the elements of beauty and art that their daughter loved about ballet.
“We were trying to figure out how to remember her and how to memorialize her,” Stroik told CNA. “And I'm an architect, so I think buildings, monuments, tombstones, all kinds of things. And my wife actually had a dream that we would remember her through dance.”
“The goal was to continue her work, which was as a ballerina, in a way that we could, which is to create a new ballet,” he said.
Creating a new ballet is no easy feat, particularly a traditional ballet, which includes more in the way of sets and costumes and artistry than the minimalistic style of most contemporary ballets.
For help, the family set up an online fundraiser in order to raise the necessary money to hire professionals who could write the music and the choreography and help design the sets and costumes of the ballet.
“There's a lot of cooks in the kitchen,” Stroik said. “There's a lot of artists that are part of this. And I've been calling myself the impresario, the producer in movie terms, who's organizing all of it, but then trying to hire the best people that would share our vision for this ballet.”
Stroik said they went with a traditional ballet because that was Raffaella’s favorite style, and they believed it would be the best way to create a more timeless ballet that could endure through the ages. Raffaella was inspired by the romantic, fairy-tale style and themes of traditional ballets and believed it could do more to portray beauty than the style of contemporary ballet.
“Raffaella's passion was to bring beauty to the world in many ways,” Stroik added. “Her prime strength was in dance and she really was trying in her own way to do things that were glorifying to God through traditional ballet and the beauty of the human body and what it can do.”
Stroik and his wife are writing the story of the ballet, which will loosely follow their daughter’s life - friends and family of Raffaella will be able to recognize the similarities, he said.
The story takes place in Italy, one of Raffaella’s favorite places to visit and the language that she studied. The story will take place in the 18th century so that it can incorporate some of the elements of traditional ballets - kings and queens, princes and princesses, peasants and village life.
The character of Rafaella will be a princess who grows up wanting to be an artist like her parents, meets interesting people in her life, and interacts with both a good prince and a deceptive prince who vie for her attention.
“(She’s) really searching for the true prince, and she sees him from time to time in her life. And then the other prince who comes along sweeps her off her feet and is very attractive, and she's totally compelled by him but he turns out to be a deceptive prince,” Stroik said.
Stroik noted that the theme of superficial beauty and its deceptive power is a common one in other traditional ballets.
The ballet's ending, of course, cannot be given away.
“My hope is it's the kind of story with the kind of good and evil love, joy, hatred, fighting, peacemaking that will speak to people for generations. That's my goal,” Stroik said.
The desire for a ballet that transcends generations is an idea that comes from his Catholic faith, Stroik added.
“We want to do something that's timeless, that's universal. And I think that relates to our Catholic faith. We're not doing something just for today...but we also want it to - if it's really good - hopefully, it will speak to future generations as well. So we'll see, but that's our goal,” he said.
Rafaella’s Catholic faith was always central to her life and her art, Stroik said, and he noticed it in how she interacted with others as well as in her passion for her art.
“It caused her to try to always put other people first, which we saw a lot in her life. It caused her to forgive...and she tried, as best she could, to live the Beatitudes,” he said.
“She told us that when she danced and danced really well, she felt like she was experiencing the beatific vision. She really felt that it was a very religious, spiritual experience, especially performing,” he said. “She was experiencing a taste of heaven.”
The Stroiks have raised $115,000 of their $250,000 goal, and Duncan said he has been surprised and touched by the way this project has touched the hearts of people who knew Raffaella and those who did not.
“One of the things that's really surprised me in a good way is how many notes I've gotten from people - people that I know, but also people that I don't know - telling me they love the idea. They said, ‘What a beautiful tribute to your daughter.’ And, again, people that I don't even know will write me notes and say, ‘This is fantastic that you're doing this.’”
Stroik said he hopes the ballet will be ready to premiere in spring or summer of 2022. He said they are still exploring options as to where it will debut, but they are hoping to recruit dancers from Rafaella’s life - from her time at the St. Louis ballet, her college ballet at Indiana University, and her high school ballet - who are professional dancers and friends of Rafaella to perform in it.
“I'm hoping that some of them will return to be part of this production,” he said.
Stroik added that he hopes people who come to see the “Raffaella” ballet will walk away with a new appreciation for the beauty of the art form and with a sense of hope.
“We want to do this ballet in order to bring a whole new audience to ballet, for a broader audience,” he said. “And because ballet can be very beautiful, very powerful, and it can speak to all the issues that concern our lives and give us...in this case, it's a tragedy, but the way we've written the story is it's also full of hope, because Raffaella was a girl with a lot of hope and a lot of faith.”
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